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Nebojsa
Vilic, Ph.D.
Born 1962. Teaches as senior lecturer at the Faculty of Dramatic Arts,
University ?SS. Cyril and Methodius? in Skopje, Macedonia. His professional
interest varies from art criticism (over 100 published texts, Dossier
1994-97, 1997, Skopje: Horizons Unlimited Ltd.; Few Candies for Venice.
Art in Macedonia at the End of Millenium, (ed.) 1999, Skopje: Laurens
Coster), through theory of art (States of Changes? Postmodernism and
the Art of the Eighties, 1994, Skopje: Feniks; N.O.A. Reflections
on New Object Art, 1996, Skopje: Horizons Unlimited Ltd.; Anamorphosis.
The Given Object in the 20th Century Art, 1998, Skopje: Horizons Unlimited
Ltd.), to the theoretical interpretations of digital arts (Eight Lectures
on Art and New Technologies, 1998, Skopje: Museum of Contemporary
Art; Internet Art, (ed.) 1999, Skopje: SCCA-Skopje) and the subalern
poisition of the culturels of the third world (Chernobil_Iliya Chickan.
(ed.), 2000, Skopje: 359°; State_Irwin. (ed.), 2000, Skopje: 359°.
He has curated over 30 exhibitions in Macedonia and abroad. In the
periods of: 1986-87 he was editor in chief of the Art?s Program at
the Youth Cultural Center, Skopje; 1988-1997 he was assistant professor
at the Faculty of Philosophy, University ?SS. Cyril and Methodius?
in Skopje, Macedonia; 1994-1998 he was director of the Soros Center
for Contemporary Arts Skopje; since 1999 he is chairman of NGO
?359° Network for Local and Subaltern Hermeneutics, Skopje.
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